"A figure by Roy Lichtenstein representing a hand with a pistol. This cover was released after the assassinations of Martin Luther King and Robert Kennedy. It demanded a legislation about restricting the arms sales."
"After the horrific incident of 9/11, The New Yorker paid tribute to the victims through this artistic cover. Ad Reinhardt’s Black on Black art provided inspiration to Franoise Mouly and Art Spiegelman who drew this sketch."
Billboard Magazine had an amazing cover creating the number of the most influental tweeters with feathers of " birds "
"The latest issue of TAR, a bi-annual art magazine features Kate Moss on the cover as well as what her face may look like on the inside according to artist Damien Hirst."
"One of the most iconic of Art Director George Lois's creations, the May 1969 cover of Esquire juxtaposed the celebration of pop culture while deconstructing celebrity. The image of a drowning Andy Warhol was a friendly spoof of the artist's famous Campbell Soup artwork, a pervading symbol of the Pop Art movement."
by Hattie Stewart
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"Fiasco is a monthly print and digital unisex fashion, arts, and lifestyle magazine that has quickly grown in popularity since its first issue. They are always on the lookout for up-and-coming talent and this magazine cover is a perfect example of that. With photography by Phillip Meech, Fiasco commissioned illustrator Hattie Stewart to doodle all over it. Stylist and art director Hope Von Joel is responsible for the impeccable design."
Wallpaper* have always been known to impress with their magazine covers and this collaboration with illustrator Noma Bar is no exception. This cover is not a simple illustration but room sets painted in a three-dimensional studio and enhanced with actual products from each of the territories featured in this Global Design issue. Stunning work!
“Skin Deep,” by Barry Blitt, pays homage to the Norman Rockwell painting “The Tattoo Artist.”
“Mitt Romney looks like he stepped out of one of those pictures. It’s not much of a stretch to imagine him in many of the wholesome, enduring American situations Rockwell painted. The family in the station wagon before and after their vacation could easily be the Romneys and their five sons (with dog overhead).
It’s also not hard to imagine Mitt in college garb—in one of those Rockwell vignettes—cutting that fellow-student’s hair as his buddies held the boy down.”
“ ‘The Tattoo Artist’ features a sailor with a long list of girlfriends’ inked names crossed out on his arm,” he said. “This seemed like a nice tableau for highlighting Mitt the politician’s shifting positions and convictions.”
